Telephoto Lens Cap for Canon & Nikon Camera Lenses

Archive for March, 2014

Fool Me Twice…

As I’ve mentioned several times on this blog, I use Nikon Capture NX2 to convert my RAW files.  This, as much as anything, is a result of inertia.  When I first started shooting with a digital camera back in 2003, I made the transition from a Nikon film camera to the D100, a Nikon DSLR, in order to utilize my existing F-mount lenses.  At the time, Nikon’s software did a palpably superior job with NEF (Nikon’s RAW format) files than third party converters, including Adobe Camera RAW (part of Photoshop).  This is at least in part because Nikon’s RAW files encapsulate a series of proprietary algorithms, and the folks at Nikon know exactly how to decode them.  The third party folks, by contrast, have to reverse engineer the file format and that isn’t necessarily the easiest thing to do.

Bridle Path, Turkey Run State Park, Indiana

As time has passed, the distinction between the results obtainable with Nikon’s RAW converter and third party options has narrowed and, arguably, has disappeared altogether.  Yes, I could have migrated to something else, such as Adobe Camera RAW, but my attitude was, essentially, if it ain’t broke don’t fix it.  I was already plenty facile with Capture, so why reinvent the wheel? Capture may have been effective, but it was never a very elegant, well-programmed or well-designed piece of software.

Forest Moon, Santa Fe National Forest, New Mexico

In fact, Nikon has a rather well-deserved reputation for putting out lousy software.  (In fairness, I’m not sure any of the camera companies handle the software end of things very well, but some are worse than others [COUGH, Nikon, COUGH] and some have been better than others at realizing that they’re not doing very well on the software front (Nikon?  not so much).  Most Nikon software is buggy, has a relatively (or very) poor user interface, bucks a lot of conventional operating system conventions for no apparent reason and often performs fairly sluggishly.  (Apart from that, Mrs. Lincoln, how did you like the play?) And yet, my complaining notwithstanding, I’ve managed to adapt to Capture’s quirkiness and make it work for me.

Sulphur Springs, South Chagrin Reservation, Cleveland Metroparks, Ohio

So what’s the problem? This is the problem.  Briefly, Nikon is beta testing a replacement for Capture NX2, called Capture NX-D.  The new program is actually a significant substantive downgrade.  NX2 is apparently going to disappear, as will support for it.  As a practical matter, a fully featured version of Capture will become orphaned software.  You may ask why this is a problem, and the answer is that as long as I don’t get a new camera (which would be unsupported by an orphaned program) and as long as I don’t need to change computers/operating systems, there is no problem.  And, as luck would have it, I have no plans any time in the foreseeable future to do either.  But eventually–particularly on the computer/OS front–something will have to give, so at the very least the clock is ticking, even if nothing needs to be done immediately.

Sunflower Morning, Midewin National Tallgrass Prairie, Illinois

Then there’s this.  The long and the short of it is that, if you’ve been using Capture software for RAW conversion and have been saving your edited changes using your original NEFs (as opposed to using copies), you have some real problems going forward.  Any saved changes to NEFs using Capture software were embedded in those files (as opposed to being written out as instructions to separate sidecar files, as virtually all other RAW converters do), and at least some of those changes can’t be recognized, edited or undone by any other software–including, at least at this time, the soon-to-become standard Capture NX-D.  In other words, your original RAW files aren’t truly original anymore; they were altered when you made changes using Capture and saved the files.  The article offers a few suggestions for dealing with this matter, and one choice is less palatable than the next, as Thom Hogan plainly states; the options, he says, “suck.”  (Seriously, take a look at the choices one faces and consider how viable they seem to you.)

October Light black & white, Canaan Valley National Wildlife Refuge, West Virginia

I’ve been using Capture software for more than 10 years now, and in a sense, I feel kind of lucky.  Yes, you read that correctly:  lucky.  In addition to having four unaltered backup copies of every RAW file I’ve ever shot, I’ve never saved any of the changes that I’ve made in Capture to the files I’m editing.  Those changes are written to a TIFF and then opened in Photoshop for further work, and once that happens I’ve closed the original NEF without saving any of the changes.  (In that respect, I have five copies of every original RAW file, all of them unaltered.)  So the problem outlined above doesn’t apply to me; that’s why I feel lucky.  I really feel for anyone whose work has been impacted, however.

Pink Canyon Abstract, Valley of Fire State Park, Nevada

But just because I feel lucky this time around doesn’t mean I’m complacent.  Some of you may remember my near death experience last October,  While I certainly share in the responsibility for the unneeded stress that was experienced (due to an admittedly less than flawless in-the-field backup regimen–which has now been rectified, incidentally), the foundation for the entire problem was–wait for it–Nikon software…and Nikon’s exceptionally cavalier attitude toward dealing with a known catastrophic problem with one of its programs.

Grotto Falls, Great Smoky Mountains National Park, Tennessee

In light of all this, I’m sure it won’t come as a surprise  that the revelations about Capture strike me as yet another example of the (seemingly) never-ending catastrophic litany of problems that have bedeviled Nikon software for ages.  There’s no harm–I guess–in continuing to use Capture NX2 the way I’ve been using it (i.e. non-destructively) all of these years, but given that the “new” version of Capture is going to be less functional than its predecessor and the old version evidently won’t be supported anymore, I think this may well be the time to move on to a different RAW converter and simply be done with Nikon software once and for all.

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 Hi, my name is Kerry Leibowitz.  I’m a Midwest-based (I split my time between the Chicago and Indianapolis areas) photographer with a particular propensity for the landscape.  

You can read my other blog posts at my website Lightscapes Nature Photography Blog and see my photo galleries at Lightscapes Nature Photography

The entire contents of my web site, images and text, are the copyrighted property of Kerry Leibowitz and may not be duplicated or reproduced in any form without express consent.  Image rights may be purchased; please contact me to make arrangements.  Images may not be hot linked.

copyright Kerry



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Not too long ago my friend and fellow photographer/dad/outdoor dude Greg Russell wrote a touching blog post titled “Little Mentors“.  I encourage you to read his post but if you don’t have time, the general idea is that we as adults stand to learn much from spending time in nature with children.  They needn’t be your own kids but I strongly encourage you not to randomly adopt one on the trail. Kinda creepy.  At any rate, Greg’s post inspired me to write one of my own about a recent family adventure.

We spent Thanksgiving week camping, hiking and exploring in Nevada’s gorgeous Valley of Fire State Park.  It had been a while since we’d gotten out as a family for more than a few hours.  Work and other obligations have a way of invading our lives, conspiring to prevent us from spending time with those we love.  The weather was perfect and we shared the park with only a handful of other visitors.  My son, Jackson, whom we have affectionately dubbed the Adventure Tyke, is now 2 1/2 years old.  He has boundless energy and I wish it was contagious.  From the moment he wakes to the moment his blue eyes close he’s on the go, charging ahead at 110 MPH.

On our first full day in the park we hiked the 1.5 mile loop at White Dome.  The trail passes an old movie set, climbs and descends sand dunes and passes through a short but scenic slot canyon – a highlight of the trip.  Hiking a mile and a half in as scenic a place as Valley of Fire shouldn’t take more than an hour, even with multiple stops to make photographs.  Being that Jackson is never short on energy we decided to let him start the hike under his own power.  Two and a half hours later, we were back at the trailhead with one exhausted little hiker.  He surprised us by hiking the entire loop on his own!

Of course, everything we passed was of great interest to him.  He would stop and play in the sand, pick up rocks and make me carry them, point out prickly cactus and, in the slot canyon, he announced that there was a tiger just around the corner.  Yes, a tiger. Must’ve been the rare Mojave tiger that lives only in colorful slot canyons and toddler’s imaginations.  We did see a bighorn sheep scampering over a giant mound of slickrock, which Jackson thoroughly enjoyed.

As one who came into photography in the late 90’s from a ten year “career” in endurance sports, where the entire point is to move from point A to point B as fast as possible, it goes without saying that in the last twelve years I’ve gotten slower.  Becoming a photographer caused me to slow down and look at the world differently.  I learned to appreciate the small things – a play of light, tangled branches among colorful leaves or subtle reflections in a gentle creek – all things I would have rushed past several years ago.  Becoming a Dad has slowed me down even more.  When you’re 2 1/2 and outdoors exploring nature, everything is new and interesting and deserving of a few moments of your time.  At times it can be agonizing, like when you’re running late for sunset and you’ve got to stop to thoroughly inspect the 1,000th lizard of the day.  More often than not, it’s a blast.  It brings me mountains of joy to see my son interacting with and enjoying nature.  He wears a perpetual smile when he’s outside.  As a result, I do too.

We’ve all heard the phrase “kids are sponges”.  They’re also mirrors.  Everything we do and say, they do and say.  Jackson loves nothing more than to peer through the viewfinder of my camera and to press the shutter button, usually in rapid fire succession so it sounds like a machine gun going off.  He loves it so much we bought him his own camera, which you can see in the photo above swinging from his backpack.  He points that camera at anything and everything, and I’ll be darned if some of his photos aren’t pretty freakin’ good.  I’ll never force him into anything but if his interest in photography (and motorcycling!) persevere I’ll be the proudest Dad on the planet.  In the meantime, I plan on enjoying every last second in the great outdoors with my little Adventure Tyke.

If you’re a new (or not so new) Mom or Dad who wants to adventure outdoors with your kids, but you’re not quite sure how to start, my wife runs an awesome site called Adventure Tykes filled with tips and ideas to help motivate, inspire and teach you how to get started. Check it out!

don zeck lens cap

 bret edgeBret Edge is a nature and adventure photographer in Moab, Utah. His interest in photography evolved as an extension of his life long passion for the outdoors. He is an avid hiker, backpacker, mountain biker and canyoneer. A visit in 1999 to an exhibit featuring photographs by Ansel Adams, Jack Dykinga and David Muench stoked Bret’s creative fire such that he immediately purchased his first SLR camera, a Canon Rebel. In the years since, he has traveled extensively throughout the American West creating a diverse portfolio of dynamic images.

Bret’s work has appeared in magazines, calendars, travel guides and advertising campaigns. His clients include Backpacker magazine, Popular Photography, the Utah Office of Tourism, Charles Schwab & Co. and Jackson Hole Mountain Guides.

While Bret enjoys seeing his work in print, he receives the most satisfaction by helping others realize their potential as photographers. He accomplishes this by leading several group workshops each year and guiding photographers on private photo excursions. For information about his workshops and guided excursions, visit To view a collection of Bret’s images, visit  Bret lives in Moab with his wife, Melissa, their son Jackson, and two All-Terrain Pugs named Bierstadt and Petunia.




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