Telephoto Lens Cap for Canon & Nikon Camera Lenses

Archive for 'Landscape Photography'

Trip Report: Crystal Cove State Park, California

I had another quick trip which took me to the west coast again, this time to the California coast. Determined to get some ocean shots, I spent two evenings down at Crystal Cove State Park near Laguna Beach. Being the first time since 2006 that I photographed the ocean I was not disappointed by the conditions. I managed to stay fairly dry the first night, but on the second I was drenched from the waist down by a wave I miscalculated. I saved the camera gear, however!

Crystal Cove

Glorious Finale

 

Photography

By The Sea

 

lens cap

Rhythmic Twilight

 

Pacific Coast

Final Daylight on the Pacific Coast

 

Technical Details: Canon 70D, 10-22 ef-s Lens, Singh-Ray Polarizer, Singh-Ray 3 Stop ND Filter
lens cap

 

MEET THE AUTHOR

Derrald_Farnsworth-LivingstonWhile growing up, Derrald’s parents took him on several trips across the United States to numerous national parks. It was on these trips that Derrald grew a love for the outdoors which we wished to explore and share with others. Photography was a natural result, an endeavor that Derrald began at a young age and continued to explore in years to come.While pursuing a Bachelors degree at Creighton University, he enrolled in all of the photography courses. With these courses he learned the fundamentals of chemical darkrooms, light, balance, and exposure. After college he continued to explore the art and develop his own technique and style and choose to focus on nature and scenic photography as his primary subjects, although he is not hesitant to point the lens at anything.Amongst the images of majestic mountains and the crashing waves of the ocean, one can find photographs of the prairies, lakes, and wetlands of the American Great Plains and Midwest. Some of these images are the artist’s favorites as they show the expansive heartland of the United States and the subtle beauty of the area surrounding his home. Through the right balance of subject, composition, and light, Derrald strives to transport the viewer into the composition.Derrald has won numerous awards and exhibited in several solo and group shows regionally. His work has also appeared in several regional and national magazines, calendars, websites, and postcards. He continues to live and work in Omaha with his family.  Visit Derrald’s website Journey Of Light Photography http://www.journeyoflight.com/blog/ to read his other articles. His images may be ordered from his store at http://store.journeyoflight.com.

Posted in: General, Landscape Photography

Leave a Comment (0) →

Photographer’s Guide To Bryce Canyon National Park

 

Earth shadow tints the sky over Thor's Hammer in pastel shades of blue and pink in Bryce Canyon National Park, Utah. (Bret Edge)

Earth shadow tints the sky over Thor’s Hammer in pastel shades of blue and pink in Bryce Canyon National Park, Utah. (Bret Edge)

I first visited Utah’s Bryce Canyon National Park in 2005.  Melissa and I spent a half day touring the overlooks before unanimously deciding that we were unimpressed and should move on to a more interesting location.  In 2012 I was passing by Bryce Canyon on a motorcycle trip when something compelled me to give it another shot.  I rode through a summer monsoon storm along the scenic drive to the end at Rainbow Point, stopping at each overlook to enjoy the view.  I don’t know what inside of me changed but this time, I was awestruck.  I called Melissa and convinced her we needed to plan a trip to Bryce.  She reluctantly agreed.  We came back with our son later that summer and she too was surprised to find herself fascinated by this marvelous canyon.  We camped for two days and hiked among the fanciful hoodoos.  I’ve gone back a couple more times in the last year and am already eagerly planning another trip.

You would think it relatively easy to create beautiful photographs at a place this scenic.  You would be wrong.  Bryce Canyon is a complex place.  Finding a cohesive composition in the right light requires careful study.  Though I’ve visited a number of times I have exactly one photo from Bryce that I consider print-worthy and only half a dozen or so that are marketable (excluding outdoor adventure photographs).  With this post I hope to share a few lessons I’ve learned over several visits that may help to increase your chances of producing quality images.

General Strategies for Photography at Bryce Canyon National Park

The vast majority of overlooks at Bryce Canyon face more or less east so in the morning you’re essentially shooting into the sunrise.  Yes, there are exceptions at some of the side canyons but generally speaking you’ll greet the morning sun head on.  Use this to your advantage!  The light that Bryce Canyon is famous for is that soft, warm glow of reflected light and at Bryce it is strongest at sunrise.  The red hoodoos and badlands absorb sunrise light and bounce it onto the backsides of hoodoos, filling in shadows and giving the entire scene an amazing radiance.  Use a small aperture (i.e. f/16 or smaller) to create a sunburst just as the sun creeps above the horizon.  If you’re including sky in your composition be prepared to deal with the extreme dynamic range between bright sky and darker canyon.  In the past I used graduated neutral density filters.  Now I blend exposures by hand using luminosity masks and am far more pleased with the results.

Don’t stop photographing right after sunrise.  Mid to late-morning is also excellent as you’ll still find wonderful reflected light even hours after sunrise.  This is also a good time to utilize longer focal length lenses to isolate hoodoos or features inside the canyon for a more intimate view.

Afternoon and sunset is a more challenging time to photograph at Bryce Canyon.  The setting sun casts long shadows into the canyon at most overlooks and only the tops of the hoodoos are bathed in light.  Don’t give up though!  Ten to thirty minutes after sunset you may find a pastel pink and blue sky appear above the canyon – Earth Shadow – and a soft glow upon the landscape.  This light is exquisite and very easy to work with as it is low in dynamic range; you can usually record the entire scene in a single exposure.  Clouds may also offer an opportunity for sunset photography as they bounce light into the canyon, filling in some of the shadows just enough to prevent them from completely blocking up.

Choosing the right lens for photography at Bryce Canyon can be challenging.  You will be tempted to go wide by the seemingly endless views but beware of distortion that causes hoodoos on the edges of the frame to bend outward.  I’m not suggesting that you keep your wide angle lenses stashed away – just know that you will need to make some perspective corrections in post-processing.  There are a couple of ways to avoid this: use a tilt/shift lens or stitch two or more frames together to create a single image.  If I had one, a tilt/shift lens would be my first choice.  If you choose to stitch photos together I recommend that you use a moderate focal length of around 50mm and shoot in a vertical orientation.  This technique is often used to create panoramic photographs but if you only use two or three frames you can create an image with a normal aspect ratio.  Another benefit to this technique is that the final image will likely be of a higher resolution than a single-frame photograph.  Go ahead and make those large prints!  Jim Goldstein wrote an excellent tutorial titled “Mastering Digital Panoramic Photography” that I highly recommend for those of you who are new to this technique.

Every season has something to offer at Bryce Canyon.  Spring temperatures are very pleasant and wildflowers begin to bloom, adding dashes of color to the landscape.  In the summer, dramatic storm clouds build almost every afternoon.  Aspen leaves turn bright yellow in fall and contrast sharply against dark evergreens.  Winter snows create unique and peaceful scenes and also drive away most tourists but be prepared for brutally cold conditions.

Locations to Photograph at Bryce Canyon National Park

What Bryce Canyon National Park lacks in size it more than makes up for in opportunity, which is to say that you’ll find yourself in a target rich environment the moment you cross into the park.  Familiarize yourself with the park before you arrive by visiting the Bryce Canyon National Park website.  Here you can read the aptly named park newspaper, “The Hoodoo“, which also contains valuable information about hiking trails and a good map that provides a birds-eye view of the park.  For a map with more detail I highly recommend the National Geographic Trails Illustrated topo map, #219.

Locations that follow are listed in the order in which they appear as you drive through the park beginning at the park boundary just outside of Bryce City.

Fairyland Canyon

I only discovered Fairyland Canyon last year and have yet to make a dynamic image there.  That said, I believe this relatively small overlook has tremendous potential.  The hoodoos below are densely packed into the canyon with Boat Mesa rising to the south.  In August I found colorful rabbitbrush blooming alongside the trail and ominous monsoon storm clouds in the sky.

Sunrise Point

You don’t need solid detective skills to deduce that Sunrise Point is a great spot to photograph sunrise.  However, it is also one of the better spots for sunset photography.  Sunrise Point is on the northern side of Bryce Amphitheater, which is also overlooked at Sunset, Inspiration and Bryce Points.

Sunset Point

I find the views from Sunset Point a little more interesting than those from Sunrise Point.  I wouldn’t call them better – just different.  Sunset Point is a very popular overlook and is often crowed with tourists.  Despite the name, I don’t recommend it for sunset photography unless you’re lucky enough to have great clouds to bounce light into the canyon.  There are some good opportunities here for panoramic photography.

Thor’s Hammer

A short walk down the trail from Sunset Point delivers you to an exceptional view of Thor’s Hammer, perhaps the most famous hoodoo in Bryce Canyon.  I’ve photographed Thor’s Hammer at sunrise, mid-morning and after sunset and all are good for photography.  The image at the top of this post was made 10-15 minutes after sunset using a 24-105mm lens at 47mm.

Wall Street

While you’re at Sunset Point you might as well hike the Navajo Loop that descends into the canyon through Wall Street.  It’s a steep hike but passing below towering walls glowing with reflected light is not-to-be-missed if you’re in shape to safely do the hike.  Look for an impossibly tall pine tree framed on two sides by huge canyon walls – this is an iconic location for photography at Bryce Canyon.

Inspiration Point

This is my favorite viewpoint at Bryce Canyon.  It’s fantastic at sunrise and early to mid-morning but may also offer some great options for sunset photography.  I also find this to be the best location for panoramic photography.  Instead of walking up to the designated overlook veer left and walk along the Rim Trail until you find a perspective that grabs your attention.

Bryce Point

Bryce Point is my second favorite location in the park.  It is on the southern side of Bryce Amphitheater and provides views looking mostly north and east.  It’s great at sunrise and, depending on the conditions, you may find some good sunset opportunities.

Rim Trail

If you enjoy hiking, the Rim Trail runs between Fairyland Canyon and Bryce Point, passing each overlook along the way.  I can’t recommend this hike strongly enough.  Along the way you will pass endless views into the canyon, many of which are as good, if not better than, the designated viewpoints.

Natural Bridge

I like to photograph Natural Bridge (technically an arch, not a bridge) in mid-morning.  The sun is high enough in the sky that it nicely illuminates the features around the arch and bounces ample light onto the underside of the arch, giving it a nice, warm glow.  This is a difficult area to work as you must stay behind the railing and there are a few small trees that require you to be creative with your composition.  But, it is a fascinating location.

Agua Canyon

Agua Canyon affords spectacular views looking east into the massive expanse of Grand Staircase-Escalante National Monument.  Directly in front of the overlook are a couple dramatic hoodoos, one of which, The Hunter, is quite similar to Thor’s Hammer.  I’ve not been at this location for sunrise but I suspect it could be good.  Late-morning light fills the canyon below, eliminating harsh shadows, and sheds light onto The Hunter.

Rainbow and Yovimpa Points

Admittedly, I’ve never photographed at either of the two viewpoints at the very end of the park road.  I find the views less impressive and more open overall.  That said, I do believe there is potential at both overlooks.  At Yovimpa Point you are looking roughly south, which may offer impressive sunset opportunities.  Rainbow Point faces north and east.  You may find good light in the morning or afternoon.  The Bristlecone Loop is a relatively easy 1 mile loop that passes some interesting bristlecone pine trees.  These trees often make interesting subjects for intimate and abstract photographs in soft light.

Inner Canyon

Pick a trail, any trail, that descends into the canyon and start hiking.  It won’t take long and you’ll be surrounded by huge canyon walls, funky hoodoos, arches and twisted old trees.  The entire character of the landscape changes dramatically when you immerse yourself in the canyon.  Some of my favorite inner canyon hikes are the out and back to Tower Bridge, Queen’s Garden Loop and Peek-A-Book Loop.  You will find interesting subjects to photograph in any season and at any time of day.  A word of caution: it’s always much easier going down than coming back up and the park may close trails throughout the year due to ice, snow and/or rockfall.

Wildlife

If you’re a long lens kind of person you’ll find an ample supply of wild creatures to photograph.  Deer, pronghorn, squirrels and a variety of birds are all commonly seen.  Meadows between Bryce Point and Swamp Canyon are often populated by grazing deer among the pines.  Less common but also native are black bears, bobcats and porcupines.

By no means is this a comprehensive guide of every location worth photographing in Bryce Canyon National Park.  Rather, it is a starting point. I wrote it with the hope that it might save you some time and effort as you plan a trip to this most amazing location.  Enjoy!

Looking for some visual inspiration? Here’s a gallery of my photographs of Bryce Canyon National Park.

COMING SOON: eFotoGuide – Essential Guides to Photographing the National Parks and Beyond

 

don zeck lens cap

 bret edgeBret Edge is a nature and adventure photographer in Moab, Utah. His interest in photography evolved as an extension of his life long passion for the outdoors. He is an avid hiker, backpacker, mountain biker and canyoneer. A visit in 1999 to an exhibit featuring photographs by Ansel Adams, Jack Dykinga and David Muench stoked Bret’s creative fire such that he immediately purchased his first SLR camera, a Canon Rebel. In the years since, he has traveled extensively throughout the American West creating a diverse portfolio of dynamic images.

Bret’s work has appeared in magazines, calendars, travel guides and advertising campaigns. His clients include Backpacker magazine, Popular Photography, the Utah Office of Tourism, Charles Schwab & Co. and Jackson Hole Mountain Guides.

While Bret enjoys seeing his work in print, he receives the most satisfaction by helping others realize their potential as photographers. He accomplishes this by leading several group workshops each year and guiding photographers on private photo excursions. For information about his workshops and guided excursions, visit www.moabphotoworkshops.com. To view a collection of Bret’s images, visit www.bretedge.com.  Bret lives in Moab with his wife, Melissa, their son Jackson, and two All-Terrain Pugs named Bierstadt and Petunia.

 

 

Posted in: General, Landscape Photography, Photography Destinations

Leave a Comment (0) →

Fool Me Twice…

As I’ve mentioned several times on this blog, I use Nikon Capture NX2 to convert my RAW files.  This, as much as anything, is a result of inertia.  When I first started shooting with a digital camera back in 2003, I made the transition from a Nikon film camera to the D100, a Nikon DSLR, in order to utilize my existing F-mount lenses.  At the time, Nikon’s software did a palpably superior job with NEF (Nikon’s RAW format) files than third party converters, including Adobe Camera RAW (part of Photoshop).  This is at least in part because Nikon’s RAW files encapsulate a series of proprietary algorithms, and the folks at Nikon know exactly how to decode them.  The third party folks, by contrast, have to reverse engineer the file format and that isn’t necessarily the easiest thing to do.

Bridle Path, Turkey Run State Park, Indiana

As time has passed, the distinction between the results obtainable with Nikon’s RAW converter and third party options has narrowed and, arguably, has disappeared altogether.  Yes, I could have migrated to something else, such as Adobe Camera RAW, but my attitude was, essentially, if it ain’t broke don’t fix it.  I was already plenty facile with Capture, so why reinvent the wheel? Capture may have been effective, but it was never a very elegant, well-programmed or well-designed piece of software.

Forest Moon, Santa Fe National Forest, New Mexico

In fact, Nikon has a rather well-deserved reputation for putting out lousy software.  (In fairness, I’m not sure any of the camera companies handle the software end of things very well, but some are worse than others [COUGH, Nikon, COUGH] and some have been better than others at realizing that they’re not doing very well on the software front (Nikon?  not so much).  Most Nikon software is buggy, has a relatively (or very) poor user interface, bucks a lot of conventional operating system conventions for no apparent reason and often performs fairly sluggishly.  (Apart from that, Mrs. Lincoln, how did you like the play?) And yet, my complaining notwithstanding, I’ve managed to adapt to Capture’s quirkiness and make it work for me.

Sulphur Springs, South Chagrin Reservation, Cleveland Metroparks, Ohio

So what’s the problem? This is the problem.  Briefly, Nikon is beta testing a replacement for Capture NX2, called Capture NX-D.  The new program is actually a significant substantive downgrade.  NX2 is apparently going to disappear, as will support for it.  As a practical matter, a fully featured version of Capture will become orphaned software.  You may ask why this is a problem, and the answer is that as long as I don’t get a new camera (which would be unsupported by an orphaned program) and as long as I don’t need to change computers/operating systems, there is no problem.  And, as luck would have it, I have no plans any time in the foreseeable future to do either.  But eventually–particularly on the computer/OS front–something will have to give, so at the very least the clock is ticking, even if nothing needs to be done immediately.

Sunflower Morning, Midewin National Tallgrass Prairie, Illinois

Then there’s this.  The long and the short of it is that, if you’ve been using Capture software for RAW conversion and have been saving your edited changes using your original NEFs (as opposed to using copies), you have some real problems going forward.  Any saved changes to NEFs using Capture software were embedded in those files (as opposed to being written out as instructions to separate sidecar files, as virtually all other RAW converters do), and at least some of those changes can’t be recognized, edited or undone by any other software–including, at least at this time, the soon-to-become standard Capture NX-D.  In other words, your original RAW files aren’t truly original anymore; they were altered when you made changes using Capture and saved the files.  The article offers a few suggestions for dealing with this matter, and one choice is less palatable than the next, as Thom Hogan plainly states; the options, he says, “suck.”  (Seriously, take a look at the choices one faces and consider how viable they seem to you.)

October Light black & white, Canaan Valley National Wildlife Refuge, West Virginia

I’ve been using Capture software for more than 10 years now, and in a sense, I feel kind of lucky.  Yes, you read that correctly:  lucky.  In addition to having four unaltered backup copies of every RAW file I’ve ever shot, I’ve never saved any of the changes that I’ve made in Capture to the files I’m editing.  Those changes are written to a TIFF and then opened in Photoshop for further work, and once that happens I’ve closed the original NEF without saving any of the changes.  (In that respect, I have five copies of every original RAW file, all of them unaltered.)  So the problem outlined above doesn’t apply to me; that’s why I feel lucky.  I really feel for anyone whose work has been impacted, however.

Pink Canyon Abstract, Valley of Fire State Park, Nevada

But just because I feel lucky this time around doesn’t mean I’m complacent.  Some of you may remember my near death experience last October,  While I certainly share in the responsibility for the unneeded stress that was experienced (due to an admittedly less than flawless in-the-field backup regimen–which has now been rectified, incidentally), the foundation for the entire problem was–wait for it–Nikon software…and Nikon’s exceptionally cavalier attitude toward dealing with a known catastrophic problem with one of its programs.

Grotto Falls, Great Smoky Mountains National Park, Tennessee

In light of all this, I’m sure it won’t come as a surprise  that the revelations about Capture strike me as yet another example of the (seemingly) never-ending catastrophic litany of problems that have bedeviled Nikon software for ages.  There’s no harm–I guess–in continuing to use Capture NX2 the way I’ve been using it (i.e. non-destructively) all of these years, but given that the “new” version of Capture is going to be less functional than its predecessor and the old version evidently won’t be supported anymore, I think this may well be the time to move on to a different RAW converter and simply be done with Nikon software once and for all.

don zeck lens cap

 

Kerry-Leibowitz

 Hi, my name is Kerry Leibowitz.  I’m a Midwest-based (I split my time between the Chicago and Indianapolis areas) photographer with a particular propensity for the landscape.  

You can read my other blog posts at my website Lightscapes Nature Photography Blog and see my photo galleries at Lightscapes Nature Photography

The entire contents of my web site, images and text, are the copyrighted property of Kerry Leibowitz and may not be duplicated or reproduced in any form without express consent.  Image rights may be purchased; please contact me to make arrangements.  Images may not be hot linked.

copyright Kerry

 

 
 

Posted in: General, Landscape Photography

Leave a Comment (0) →

Photo Friday: Dawn Over the Sandhills

Windmill SunriseCrescent Lake National Wildlife Refuge is one of the largest Wildlife Refuges in the lower 48 states and fairly remote. The landscape is dominated with rolling sandhills with nestled lakes, animals of all type, and many, many windmills. These windmills play an important part with delivering water for ranching in this region. They dot the scenery all over the sandhills, and in fact, they identify where you are on a map. Each one is adorned with a number and if you get lost, you can look at the number and correlate the location on a map. Luckily, I didn’t have to do that, but it’s nice to know they are there in case I did. I did take this beautiful morning to capture one of these remote windmills under the morning clouds and the sloping sandhills in the background.

Technical Details:
Canon SL110-22 ef-s, f/8, 1/200 sec.
Crescent Lake National Wildlife RefugeNebraska

don-zeck-lens-cap
 

 MEET THE AUTHOR

Derrald_Farnsworth-Livingston

While growing up, Derrald’s parents took him on several trips across the United States to numerous national parks. It was on these trips that Derrald grew a love for the outdoors which we wished to explore and share with others. Photography was a natural result, an endeavor that Derrald began at a young age and continued to explore in years to come.

While pursuing a Bachelors degree at Creighton University, he enrolled in all of the photography courses. With these courses he learned the fundamentals of chemical darkrooms, light, balance, and exposure. After college he continued to explore the art and develop his own technique and style and choose to focus on nature and scenic photography as his primary subjects, although he is not hesitant to point the lens at anything.

Amongst the images of majestic mountains and the crashing waves of the ocean, one can find photographs of the prairies, lakes, and wetlands of the American Great Plains and Midwest. Some of these images are the artist’s favorites as they show the expansive heartland of the United States and the subtle beauty of the area surrounding his home. Through the right balance of subject, composition, and light, Derrald strives to transport the viewer into the composition.

Derrald has won numerous awards and exhibited in several solo and group shows regionally. His work has also appeared in several regional and national magazines, calendars, websites, and postcards. He continues to live and work in Omaha with his family.

Visit Derrald’s website Journey Of Light Photography http://www.journeyoflight.com/blog/ to read his other articles.   His images may be ordered from his store at http://store.journeyoflight.com.

Posted in: General, Landscape Photography, Nature Photography

Leave a Comment (0) →

Sources Of Inspiration

capitol-reef-leaf-mud1a

For the second instalment of “Sources Of Inspiration” I’m excited to feature Greg Russell and share with you his beautiful images and thought provoking writing. Greg is a landscape photographer based out of California who specializes in images of the American West. I first met Greg online a couple of years ago and was immediately drawn to his images. Soon after, I was introduced to his blog and found another side of his work that was equally as impressive. 

In a day where the majority of photography related articles are technical related, Greg chooses to focus mainly on the why over the how. His words showcase a strong connection with the land and always leave me thinking deeply about my own work and how I interpret the environment around me. His philosophical style of writing touches on not only image making, but also creativity, life and the personal decisions that are so important in creating unique works of art. Greg does a brilliant job delivering his message and his words always leave me with a strong sense of place.  His images are extremely well crafted and display a contemplative thought process that ultimately defines his personal style. I know that whenever I see one of Greg’s new images that it has been created through a love, appreciation and understanding of his subject. His intimate compositions of the world are refreshing on the eyes and provide a truly unique experience for the viewer.

As artists, we all go through high points and low points. I know that the times I’m lacking inspiration I can turn to work such as Greg’s to remind myself about how beautiful the simple things in life are. I certainly recommend visiting Greg’s website and blog to view more of his images and writing. I’ve included links to a few select posts below to get you started. While you’re there, make sure to subscribe to his blog, you will be glad that you did!

 Don Zeck Lens Cap

 MEET THE AUTHOR

Kyle McDougallKyle McDougall is a landscape photographer/workshop leader based out of Ontario, Canada.  He specializes in creating fine art images that touch on both a visual and emotional level.  When not outside exploring the land you can find Kyle online sharing his images and helping others through his instructional articles.  In 2012 Kyle was chosen by Photolife Magazine as one of Canada’s Emerging Photographers.  To view more of his work please visit his website: www.kylemcdougallphoto.com

 

Posted in: General, Landscape Photography

Leave a Comment (0) →