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Motivation By Connection

Anyone who follows my blog will know I often talk about the importance of individuality, creative vision and uniqueness when it comes to photography. I always find it fascinating to hear from other photographers about their discoveries regarding both self and practice as they advance throughout their career. Being able to form a connection with others regarding similar thoughts and experiences motivates me by reminding me that I’m not alone in my struggles and that this does in fact not come easy to anyone.

It’s funny that we have to remind ourselves constantly about things like that. It’s pretty simple to understand, yet it’s all to easy for us to assume that others produce their best work straight away. To be honest, this is a large part of what motivates me to write this blog; Being able to share experiences, struggles, discoveries and change with the hope that others can both relate and be motivated in their endeavours.


Shoreline Details - Killarney, Ontario


I came across this Ansel Adams interview done by the BBC the other day and wanted to share it here on the blog. Among many things throughout the interview, I found it very interesting when Adams talks about and shows examples of his prints including multiple variations of the same one created over a number of years. Adams talks about how his feelings change throughout time which contributes heavily to different choices made when printing. He refers to his famous line “The negative is comparable to the composer’s score and the print to its performance. Each performance differs in subtle ways”.

I’m sure that we all can relate to these thoughts in a sense that images never seem to be complete. I know that at any point, I can look back at older work and find specific details that I now would approach differently. It’s embracing these moments with the realization of our progress that is the important thing; not stopping to get frustrated with ourselves for the so-called “mistakes” we made. It’s exciting to think about what lies ahead in this journey, and how our values, vision, likes and dislikes will change over time. Photography teaches us not only to see the world around us more clearly but also ourselves.

Click here to watch a video of Ansel Adams.  There are countless other great interviews with Adams to be found on YouTube.  Being able to hear the thoughts and opinions from one of the masters is extremely interesting and exciting. 


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Kyle McDougallKyle McDougall is a landscape photographer/workshop leader based out of Ontario, Canada.  He specializes in creating fine art images that touch on both a visual and emotional level.  When not outside exploring the land you can find Kyle online sharing his images and helping others through his instructional articles.  In 2012 Kyle was chosen by Photolife Magazine as one of Canada’s Emerging Photographers.  To view more of his work please visit his website:





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Kushiro River Winter Sunrise 1

Japan, Hokkaido, Lake Kussharo, A cold winter sunrise along the Kushiro River
Does this image look cold? Well, that is because it was -20°C when I photographed this tranquil scene during my Japan Wildlife Photography Tour. As recently as a few years ago, I probably would not have taken this image. I was either too focused on dramatic light or incapable of visualizing something like this. Eitherway, I am pleased that I am able to push myself in new creative directions. What I like most about this image is the delicate frost patterns along the riverbank. I took care not to disturb them, since while approaching these trees I had already brushed past several branches whose chilly feathers immediately fell into the fresh snow at my feet. I created this image using my Canon 5DmkIII, Carl Zeiss 28mm f2 ZE lens, and Singh-Ray LB Warming polarizer. I processed the RAW file using Aperture 3, Photoshop CS6, and Nik Software’s Color Efex 4‘s White Neutralizer filter.

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Jon Cornforth photographing surf on the North Shore of OahuJon Cornforth is an award-winning wilderness photographer whose images have been recognized internationally for their masterful composition and incredible detail. He’s compelled to express the beauty of the natural world through his photography, traveling all year, challenging himself in new locations and documenting the unique creatures who live there. All of his images are captured in the wild. He believes in supporting environmental groups and raising awareness through photography. He lives in Seattle, WA with his wife, Daisy, daughters, Maddy and Chloe, and Boston terrier, Buni.   

Click here to visit Jon’s website.   

Cornforth Images are copyright protected. Cornforth Images are available to be licensed for a fee and can not be used without permission.

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An Important First Step

don zeck lens capOne of the most important steps for you to advance your photography is to have your work reviewed. One on one targeted feedback on your images from talented professionals can help shape your future as a photographer and will provide invaluable business connections.

Don’t focus on the fear of showing your work and having it criticized; see this as an incredible opportunity to get first hand information. This is an opportunity to have one on one time with an individual whom you are not likely to secure an in-person meeting with outside of a review event. Think about it, you will be sitting in front of this person one on one for twenty minutes. If you ask them a question, they are on the spot to answer it. I have scheduled reviews solely to pick a persons brain, so to speak. Now you must be clever and respectful on how you do this, as first impression are very important. You should have a strong portfolio if you are going to sit in front of an editor of a major publication, even though your sole intention is not necessarily for their opinion of your work.

When you sit down, present your business card as you introduce yourself.  Let them know you would like to leave enough time at the end of the review for a few important questions. The questions can range from: how do I price my work appropriately, what is the best way to contact an editor directly or the owner of a gallery, what type of presentation or marketing stagey would draw a response from you, when is the best day and time to send an email that will get noticed? Remember, information is power!

A reviewer can provide creative guidance for works in progress, as well as marketing advice for completed projects. This will help you explore the marketability and business opportunities for the type work you are producing. Most events that host professional portfolio reviews have a variety of reviewers from different backgrounds. They usually offer reviews for all levels of photographers. There are two great venues coming up that offer theses professional reviews as part of their event.

The Nature Photography Summit hosted by NANPA (Feb 29-Mar2) . This is a great event and they have 20 reviewers. If you are a nature/wildlife photographer that wants to explore making a business out of your photography, this is the best investment you can make! Here is the link to the portfolio & editorial reviews- I also urge you to explore the entire program and the list of speakers.

The palm Springs Photo Festival (Apr 28-May3) is an event that is focused around having the best reviews in the industry. This event is not focused specifically around nature/wildlife and the reviews are geared for experienced photographers. In the past they have had the editors of National Geographic, Outdoor Photographer, PDN and  the curators from such venues as the Annenburg space of photography, Fahey/klein, and Peter Fetterman Gallery. This event is held on the west coast in spring and is part of the PDN event held in NY in the Fall. Here is the link to the reviewers that will be at this event.

Below are some Do’s and Don’ts that I have put together from both of these venues as well as from my own experience.


Limit your main portfolio to 20 solid images

Be honest with your self about the level your work is at. If you need another year of shooting before you start showing your book to top editors and art directors, sign up for reviews that will help get you to that level.

Take reviews from those whose credentials indicate their critique will be most valuable for you, may lead to work, or be a valuable connection in the future.

Research your reviewers and make sure your work is relevant to their area of expertise. Learn about what they do so when you sit down you may open with “ I’ve been following your magazine for years and feel my work would ad value to the publication” or “ I would love your feed back on my book project and recommendations for colleagues in the industry who may respond to my style of work”

Have a purpose for each review and communicate it to the reviewer. Have 1-3 specific questions ready, that you want to ask.

Invest in a proper portfolio/book. If you are reviewing with an art buyer, stock agent or editorial editor, then most likely the end out put of your work will be in print. Show them how great your work looks in print. You have 20 minutes to impress them. You will look more professional and it will give you an advantage over the photographers showing up with only a laptop or ipad. Do bring a lap top with a few solid back up portfolio’s, your review maybe interested in seeing more of your work. An ipad picks up too much glare reflecting everything; don’t show your work on one in a review session.

Have a well-printed leave behind. Invest in a graphic designer to help you create something that looks professional. You will be able to use this in marketing your work, so this is not a one-time investment. It is very easy to print small quantities these days and if you create a post card size you can use this to mail to potential clients. However, don’t force your leave behind on the reviewer. They may have several reasons they do not want to take it. It could be as simple as they don’t want the extra “stuff/clutter” in their lives. They will already have your contact information on your business card.


Don’t make excuses for your work such as: “ I didn’t bring my strongest work”  (why not?) “I didn’t have time to put together much, but this should give you an idea” (would you want to hire this person or trust them with a deadline?), “I just found out about this event”.  If you are not ready, do not go to a review.

Don’t argue with constructive criticism. The people looking at your work have years of experience. They are going to critique your work to help you understand what you need to do to improve the quality of your work, so you can compete on the level you are striving for. Listen to what they have to say and process it later, but don’t tell them they are wrong.

One last tip

Most reviewers are there to help and will be kind in the way they deliver their criticism. However, there are a few editors and curators that can be tough and brutal. The best way to prepare for a tough situation is to go the review area in advance. See who is sitting with your reviewer. When they exit the area, ask them about how it went and how the reviewer treated them. If they tell you they were tough, you will be prepared and not become defensive during your review. If you sign up for multiple reviewers, ask your first reviewer about the other reviewers on your list.  This strategy can be key for tough reviewers. When they see their harshness does not rattle you, they know you are professional enough to handle this extraordinary competitive, demanding, industry

Good Luck  

If this was helpful to you, please share it.


PiperMackayPiper Mackay is a world, wildlife and cultural photographer, based in Long Beach, California. She believes compelling visual images help to protect what is right in the world. Her work takes her to very remote locations, living cross culturally in the villages and environments that she is documenting.

Her work is heavily concentrated on the African continent, a land she fell in love with when she first touched foot on it’s rich red soil. Her passion for the natural world has grown into a lifelong commitment to inspire others to explore, respect and preserve the beauty of our fragile planet.

She believes compelling work comes when you invest time, living the stories you are trying to tell. It is important to interact and gain the trust of those whose stories you are telling, especially when sensitive and complicated. The world has enough images of poverty, pain and disaster, much more needful is imagery that reveals the beauty and dignity of the communities that are, except by their geography and circumstances, very similar to our own. Powerful images help shape the view of the world and play an important role in disseminating how cultures and wildlife are coping with the rapid changes happening in the developing world.

Piper’s images have been displayed at the Smithsonian Natural History Museum, The Museum of History and industry, and  The Art Wolfe gallery, as well as local galleries.  Her work has been featured in Nature and travel publication through representation of several photo agencies, including Rangefinder, Nature’s Best, Birders, and the World Wildlife Fund.  She is an independent photographer and available for assignment work.

Her prior career in the fashion industry, where she was deeply involved with combing color and texture, has greatly enhanced her approach to the unique look and feel of each culture and photographic subject. This also gave her a strong background in business and marketing. Please visit Piper’s website at

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Don Zeck Launches A New Website

Our new WordPress website is up and running!  Thank you to Jocelyn at Mozak Design.  Jocelyn uploaded our new template and patiently taught me how to use the template.  Then Jocelyn fixed the problems I created while learning!  Thank you Jocelyn, you are an Angel.  In honor of our new website we’ve released a press release to inform our customers about our snazzy new design.  

Looking for a stocking stuffer for the photographer in your life?  Snap up one of our lens caps for a surprise on Christmas morning.  Choose a Canon or Nikon lens cap for high end telephoto lenses.  Cover Your Glass!

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